Twentieth Century has features for smaller text such as loose spacing and a solid stroke weight that narrows where curves join the verticals. Twentieth Century (above) and Century Gothic (below) at equalised x-height in their default weight.
Most notably, it lacks the extreme stylistic alternates of Avant Garde, such as highly slanted letters designed to fit together closely in kerning. Century Gothic also has larger, rounder tittles on the letters i and j more akin to Futura, whereas Avant Garde keeps the tittles square and the same width as the letter strokes. However, it differs from ITC Avant Garde in that like Futura and Twentieth Century, Century Gothic does not have a descender at bottom right of the "u" (making it appear like a Greek upsilon υ), whereas Avant Garde does. Century Gothic is similar to ITC Avant Garde in its pure geometry, and does not possess the subtle variation in stroke width found in either Futura or Twentieth Century. This allows it to substitute interchangeably for Avant Garde in documents, an important feature since Avant Garde is a standard font in some forms of the PostScript digital printing standard, and so Century Gothic allowed Microsoft to use it in preference to paying for an ITC Avant Garde license.Īdditionally, Century Gothic's design was based on Monotype's own Twentieth Century, which was drawn by Sol Hess between 19 for the Lanston Monotype Company. Century Gothic was created to be a substitute font for ITC Avant Garde, designed by Herb Lubalin, and released by the International Typeface Corporation (ITC) in 1970, so a document created in one can be displayed in the other with no change to copyfit.
While many geometric sans-serif typefaces have been released to compete with the popular typeface Futura, Century Gothic is perhaps unique in its origin: it redraws one to match the design proportions of a second.
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